I remained unsatisfied all my years ....
frustrates me too - it's so unusual ..
Then I realized that hunger is an instinct
the windows of the beholder from the outside.
enter, the scatters.
Emily Dickinson
Sixteen artists, all under 35, to frame a moment of creative expression to represent the multiplicity of languages , now partly contemporary . Not only painting and sculpture, but also installation , photography, video and new hybrid forms of expression that testify to the complexity of the language and the current borders of today's art .
the expression of an articulated curatorial research , undertaken without prejudice or foreclosures , resulting from the constructive dialogue between the curators ( Massimo Innocenti and Angelo Minisci ) . The result is an exhibition in which the talent of the artists -in-progress is mixed with the durability of their research over time and with the expressive quality and technique. The ambitious aim is to give a reading as widely as possible new artistic research , the way in which the artist interacts with a complex and heterogeneous reality and , at the same time , to vigorously promote academic research in the identity of the LABA . The exhibition is not intended to be exhaustive of all the trends in the art world , but presents itself as the most representative survey of current research , including essential trace a profile in a more detailed and comprehensive . " The Continuous Elsewhere ," is a cross-sectional view , different materials, do the hands of the discordant make possible different worlds . A vision that can build the same strength , a collision between parts becomes too obvious attempt to create an exchange , an " éclat " , a spark, a small fire , to insist on the differences as a value .
The meaning of this exhibition lies in the attempt to plot against an established order , and making a voice to any sign, trace a path that all work is mediating function between moments and , at the same time , reconcile the right of expression frenzy , that the penetration of the various materials gives rise to a possible path .
The will is sought in the rhythmic sense of stopping, as the works of stop and start to talk to each other in the hope of forming a new release. Expanding on the walls and spaces, visions and mystery , where the infection causes and creates , in contra - times in a real grip on the stretch of origin.
A project that goes on a journey and where he tries to stop and pick up emotions and feelings , different languages of a contemporary unofficial , perhaps " in", but no one with a young impetus to the substance and knowledge. Then you enter in this show with a different language, without pre -judgments conceptual , observing the quantitative synthesis as a unifying subject , without fear of not corresponding to a particular cliché, but as object of investigation. Even when the art presided a will Representative of the visual image , such as in the photograph , this desire is realized by means of a sort of vision pellicular that almost reproduced in its areas neighboring the same design that is in design. < / P >
' commonplace to speak of today as a situation characterized by major changes related to the growth of relationships with others and with things. Frequent error is a glimpse into the new intrusion into the range of choices immutable , and not consider it as an element capable of bringing into play the entire body of knowledge and, consequently, operational choices .
Edited by
Angelo Massimo Innocenti Minisci
Artists
Giovanni Bigazzi
Erica Borghini
Domenichini Giulia Giulia Maria Magdalena Gärtner Favilla
Chloe Harris
Raffaele English
Melissa Brands < br /> Agnes November
Marco Valentin Osadcii Poplars
Catherine de Riu
Jonathan Tegelaars
Ilaria Valencia
Kira Volgger
Laura Zanotti
