Giovanni Bigazzi , march 2013

Zeijko Pavlovic and I, Giovanni Bigazzi , we met and found in the context of the Free Academy of Fine Arts is an encounter that has been revealed a strong agreement and two languages ​​" otherwise similar " . With clear differences in the use of reading materials and proportions, Zeijko through the use of painting and engraving, I through ' processing by a negative or a digital photo .

Unlike similar in the approach of different experiences, but certainly united by the flow of the lines, colors and experimentation in shaping the material .

same experiences in their studies and in their learning , they certainly favored an amalgamation between jobs , encouraging us to interact with the space available .

are strong similarities in the attention to the forms and color balances of our subjects and

a railroad idea of rhythm and light , harmony and matter, thus fusing the different searches .

Zeijko is inspired by Baroque music , and I, being the music another dimension of my work and research, this leads me to a careful balance between images and rhythms in the photograph.

bottom photograph is to give a reading of the elements surrounding each according to his feelings and point of view ... "the landscape is full of signs symbols of hidden things " (Mario Giacomelli ) .

These elements can be translated into tangible material ( painting , drawing or printed photo) and thus could interact with a space, which is within the walls of a house, as in a place outside . In this exhibition was the first time I saw my photographs made ​​in a manner apparently unusual, but this does not have a negative connotation , instead gives an initial awe at seeing the photographs and paintings catapulted into positions and distances asymmetrical , but in actually follow a line of a wave that traces the perimeter of the space .

One way for me to present unpublished photos, but in an alternation of empty and nearby activated , in order to comply with the paintings of Zejiko . Just these voids activated allowed to create a connection between the individual works and make them react in blue, in blacks and whites , colors prevalent in ' " unique work " of ' installation. One

distortion of habit varied in size and especially in reading images of the exhibition space . Our intention is not to create a classic dialogue alternating with photos and paintings , in many cases effective, but sometimes at the risk of fragmentation discordant result .

Our attempt is in wanting to create a texture image with different means of expression , a plot with space stretched out , a place that in its dynamism requires an attention to place the works themselves , following geometric idea and one carrying out asymmetric . These games

volumes , shapes and colors, including combinations and empty , they become points of connection , causing the images to harmonize to create a unique work.