Angelo Minisci Florence, march 2013 .

The works on display have the ambition to bear the presence of the invisible in the visible and the evidence in the incorporeal body , with a tension of the visible to the invisible and the body to the incorporeal . The project expresses distinct visions of two artists are able to communicate with different intensities, creating two opposing axioms and interconnected, and placing themselves in an area of ​​interest that encompasses the very meaning of culture.

Incipit path / story is given by the beautiful and emblematic Cosmogony of Yves Klein, in which the imprint of a body is returned in the blue pigment , an essential figure of the whole work of the French artist . Following the path winds through many phases and episodes and far by the original .

Sensuality idea of ​​beauty and aesthetics elevate bodies and figures dall'immaterialità of the works and the methodology of work and research . At the same time , there is a reminder of the spirituality of the work of Anish Kapoor.

The emotional strain from a nameless desire , a passion without an object more than the meaning of life . The image vanishes and allows the eye to turn the attention on himself and his own loneliness.
The sign and gesture mark the void and bring out the invisible in the visible and in the incorporeal body . The rarefied and ethereal images enable us to understand the disembodied presence of the works.

Lightness, intangibility and silence are elements of exposure and make it possible to enter into a different perceptual and cognitive dimension . The same images reveal enlarged, some parts of our being that reveals a fusion of light and space environments and atmospheres capable of restoring the mood for a time suspended , blocked .

Both poetic , the photography by Giovanni Bigazzi and painting Zeliko Pavlovic , bordering a dumb lyric and form of the openings on the vacuum , the images seem to steal the physical act of removing the material by a sculptor.

Become strength disruptive hand , color and gesture . It opens a path with monochrome photos only able to narrate their inscrutable story. The characters represented appear as ghosts , caught a distant memory .

Painting approaches to photography becoming an obsolete medium and obsolescence allows knowledge.

Groped for overcome the scarcity of the technique , the self and the other become not only

photography and painting but the representation of a thought with action and deed .

works and immortalize looking for a space ' conceptual ' . The same images appear to change before our eyes , it seems to observe the slight haze of autumn leaves or the changing light at dusk . They tell him to move light atmosphere (considered as air ) , while walking. The dialogue in parallel you will discover the use of the photographic language and in the arrangement of ' objects - photographs ' in real space .

In front of the pictures we stop trying to understand in the invisible visible . Is the attempt to recover the ancient ways of the Mediterranean culture , through decorations and symbols are obsolete . In the works survives the sense of mystery , the yearning for beauty, cosmic pictures and imaginative , the personification of eternal childhood .

Work react to the fragmentation of reality, and are in free association between them. They are fragments of a reality , able to connect through the common imagination . The painting combines a deep meaning in the limited space of a minute pattern , creating a vision that does not reproduce the world, but replaces it and the photo -graphy is indelible mark of thoughts - action . The different characters appear as ghosts, and most portraits that seem to come from a distant memory . And they remain free

all befits what remains invisible in the visible and what is a work of incorporeal . An exhibition without frame , in which space and crudités shooting assert themselves with the power of gesture .. < / p>